There are two sides to my textiles-based practice, both of which are process-led. There is the regimented side, which centres around learning and practicing traditional craft skills and techniques such as knitting, embroidery, spinning wool by hand and crochet.

These repetitive techniques demand patience, understanding and careful planning. Pattern, either surface or fabric, is built up slowly and methodically over time. There is a meditative element to this process, and the relationship between the maker and material grows stronger with each stitch.

The other side of my practice is freer and more experimental. With natural dyeing and eco-printing, there is an element of serendipity and surrender to the process. There is a chance element when gathering dyestuffs on nature walks, or experimenting with vegetation otherwise destined for the compost bin. By bundling up these flowers and foliage with fabric and combining with mordants, there is a botanical alchemy at play. The results can never be fully anticipated. There are many variables, and the outcome is dependent on place and season. 

I am interested in the contrast and overlap of these two elements, and am exploring bringing them together to create work which both connects the viewer to the wonders of the natural world and reflects on the impersonality and insensitivity of commercial fashion and consumerism in general.